Marshall mg100hdfx1/23/2024 ![]() ![]() ![]() The MG100HDFX's specially-voiced DFX section offers Chorus/Delay, Delay, Chorus or Flange effects plus a natural sounding digital Reverb with its own individual control. The Overdrive Channel's OD1 mode is reminiscent of the throaty drive that has made our vintage amps famous, while OD2 is brimming with modern, high gain aggression. This said, when in Clean mode, this channel has loads of headroom which makes high levels of clean performance easily attainable. Higher Gain settings on the Clean Channel will yield a healthy, bluesy overdrive, especially when the Crunch mode is selected. ![]() Each channel has independent tone controls for Bass, Middle and Treble, and the Overdrive Channel also features our critically acclaimed Contour control for tonal versatility. Its two footswitchable channels offer a pair of selectable modes, Clean/Crunch on the Clean Channel and OD1/OD2 on the Overdrive Channel. Unbelievable tone, feel and projection come as standard. The MG100HDFX will easily drive any cabinet from the Marshall range. Marshall MG100HDFX Guitar Amplifier Head Featuresįootswitchable Channels (Footswitch included) Models from the MG15DFX and up boast built-in, custom-designed digital effects! All models feature a CD input, speaker-emulated headphone jack, and a line out jack. Marshall's exclusive FDD (Frequency Dependent Damping) technology accurately mimics the way an all-tube amp interacts with a loudspeaker, giving the MGs a width of sound never before possible in an affordable, non-tube amp. Using radical technologies (some borrowed from the amazing, acclaimed AVT series), the Marshall MG Series raises the sonic and performance standard of bang-for-your-buck guitar amplifiers. But you can do a lot better.The Marshall MG100HDFX is a 100-watt head and a powerhouse of killer tone. And maybe if you just need something sort of loud and you can find it for less than $300 used maybe it will work. I think if you're down with the really bad metal guitar sound (way too much gain, no mids), you can probably deal with this thing. The other guitar player still plays on the MG100HDFXs and it's an indistict to shrilly blur. My guitars sound pretty good through it and the band can hear me. I ended up picking up a Katana head (about $300) to slap on this when I'm in the space (will fit in a large backpack). Somebody might be able to find the right pedal to put in front of it I couldn't. The clean channel seems okay if that's what you're into. And no matter the EQ tweaking, whoever is playing on that amp is not able to cut through the mix with the bass and drummer until you're melting everybody's ears with nasty, loud garbage. So you crank up the gain and you just get a cacophony of dissonant garbage. It's that weird deal where at lower settings it doesn't have enough gain but is somehow just really nasty and hissy. The overdrive channel on this thing is atrocious. I'm pretty good about just finding a reasonable setting on an any non-terrible amp and going with it. The other guitar player in my band always plays on these at the practice space with his LTDs (including one with EMGs). I tried making this head work with my Gibson SGs (490t, 498t pickups), my Les Paul (498t), or my Yamaha Revstar. Just show up and plug in, right? Not for me. Nearly every one of their rooms have these heads with the usual 4x12 Marshall cab that is sold with them. Keep in mind that I'm not a fancy equipment guy my current main amp is a Fender Mustang GT 100 combo.
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